Wood grain Marshall beauty!

Kirk Greenman out in Hawaii needed a faceplate and backplate to compliment his Marshall build that he finished with an amazing wood grain front panel. The folks at Amplates.com were happy to help out by using his old plates as templates to ensure a perfect retrofit on the amp chassis!

Princeton Amps Never Looked This Good!

 

Deric Dobesh wanted a modern looking faceplate and nameplate to complement the green tolex and wheat grille on his Fender Princeton Reverb style build. He liked the slick look of the brushed silver/black faceplate material and we used the same stock to make the matching nameplate. The result, I think you'll agree, is fantastic! Great job, Deric.

Better than a Marshall

Holy moley is this some fantastic work by Derek Choice over at Funk Logic! He came to Amplates.com to have us fabricate his cheeky faceplates (note the model name on the backplate). All we can say is wow!

Amplates.com has a new phone number!

Amplates.com has a brand-new telephone number! The new number is 202-656-0080. The old number still works but the voice mail is funky, so we're encouraging everyone to use the new number (which is now plastered all over the web site at Amplates.com!

So call us at 202-656-0080 or email us at jvallina AT amplates DOT com for help with any custom faceplates, nameplates, or grille cloth orders you may have. As always, thanks so much to our valued customers!

Austria in the house!

Alexander Strassnig came to Amplates.com for help fabricating the nameplates to put the finishing touch on his beautiful "Alestra" amp and cabinet. We think you'll agree that the final product was the epitome of an Amplates.com Excellent Amp! Great work, Alexander!

Red Barchetta!

John Fontenot over at Barchetta Valve Amps in Louisiana just finished working with Amplates.com on the custom plexi-style faceplate for his newest creation, the HVA-50. Mighty fine looking amp, John!

Great video of the Carr amplifier factory

I've always loved the look and sound of Carr amps. Plus, Steve Carr seems to be one of the nice guys in the industry. Here's a cool video by Ask Our Musicaians that takes you on a guided tour of the Carr shop.

Interesting guide to audio calculations

This is a cool site that seems to have every type of audio and circuit calculator known to man. Enjoy!

Seng Piel Audio Calculations

Another "Excellent Amp!"

Brian Davis at Whole Tone music has made a beautiful line of amps, but the Deja Blue is the cream of the crop. Congratulations to Brian for a job very well done! You indeed have an "Excellent Amp!"

Amplates.com "Excellent Amp!" Award

Congratulations to Greg Koelling, the recipient of our first Amplates.com "Excellent Amp!" award! His 5E3-based head design and 1 X 12" cab are a perfect example of the top-notch workmanship and understated, yet powerful design that home builders aspire to. Great job, Greg!

Cool Amp Gallery Features Vintage Designs

Vintage amps come in more flavors than Marshall and Fender. Some of the coolest designs around stem from the smaller players who tried to make their mark with more outrageous designs than the two big boys.


The guys over at We-Buy-Amps.com have a great gallery of obscure and unusual amps that might help the homebrewer get ideas for the look of his or her new amp.


Here at amplates.com, we love it when our customers go for the more unusual design elements, and we can take an idea from an old Gibson or National, like those in the photos above, and run with it. Happy amping!

Insane DIY triode - made from scratch!

If you think you are a DIY tube god, I've got news. You don't have anything on this crazy French dude who—get this—makes his own tubes. Click the link for a step-by-step video of the entire process. Amazing stuff.

Holidays are here!

We here at Amplates.com hope everyone is having a blast for the holidays! Wanted to give everyone a heads up that we will be closed from Dec. 17- Jan. 2 to celebrate with family and friends, so get your orders in pronto!

A huge thanks goes out to our fantastic customers! Have a wonderful holiday and fantastic New Year!

New stuff a brewing

Things have been busy over here at Amplates.com. We are getting ready to roll out a new web site for a brand-spanking new product line that we're really excited about. Stay tuned!

Plan ahead for faceplate design

When designing and building your amp, be sure to plan ahead on the faceplate side of things, too. You want to make sure that you have enough real estate to fit control labels and other markings, plus any logos or flourishes.

Inspirational faceplate design

For inspiration, I like to look to the more unusual amplifier faceplates from the past, and this 1964 Gibson Titan III bass amp is a good one to draw from.

The plate uses legible typography for the controls and a futuristic script face for the amp logo. The use of rules and outlines gives the design movement to imply that this amp is forward and ultra modern (for 1965 it was!). And you've gotta love those stovetop knobs!

Thanks to the Gibson Garage for posting this and hundreds of other great pics of the classic Gibson amp line!

Whither Schematic Heaven?

Don't know what the deal is, but Schematic Heaven has been down for about a week now. The entire homebrew amp-builder community is hoping against hope that this is only a temporary state of affairs! It would be a major loss if this great site were to go away for good.

During the (we hope) temporary outage, you can go to the Web archived version of the Schematic Heaven site and grab all of the schematics you need for now.

You can also find some schematics at the Triode site and at the Free Information Society site.

The list to end all lists

In case you might want to start your own amplifier company (more power to you!), Philip Ruetz over at DIY Guitar Amp has the be-all, end-all list of links to your competition. His list of guitar amp manufacturers is a veritable who's who of the big guys, the bou-teeks and even the smart-alec newcomers on the block. Check it out!

What makes a good faceplate design?

Since faceplates are our bread and butter around here at Amplates.com, I figured a primer on what makes a good plate design might be in order. Bullet points are always fun, so try these tips on for size:

• Legibility. There are two basic types of fonts: text and display. You want to use text fonts for your control labels. If you use crazy, squiggly or super stylized fonts in positions above controls where they need to be small to fit, they won't be readable. Save the squiggles for your amp name and logo.

• Simplicity. Don't throw the kitchen sink on your faceplate. This isn't the launch control for ICBMs, it's a guitar amp built to be used on a cramped, dark stage. You need to be able to quickly and easily change settings, and having 1 billion small knobs and switches will seriously muck up the works.

• Style. The world doesn't need another Fender or Marshall clone. Think outside the box a little when choosing fonts, colors, and design elements. Simply adding a rule or box on your plate can make it stand out from the hordes and make people go "wow!"

New Download! Cap codes revealed!

Okay, here's another builder's quick reference for your shop, this time all about capacitor codes. I think that whomever invented capacitors used an Enigma machine to label them.

Screwing up the value of a cap can wreck a tonestack or completely alter the sound of your interstage signal. I can never remember how to go from pF to nF to uF to wtfF without looking, so here's a cheat sheet to help us keep it straight if you're the same way. Enjoy!